The Bechdel Test for the 2012 Oscars

Last year, three of the films nominated for Best Picture at the Academy Awards featured women in its leading roles (Black Swan, Winter’s Bone, The Kids Are All Right).

This year, the frontrunner for many of the awards at tomorrow’s Oscars is The Help, a movie which features a cast of strong female characters. But are women truly making gains in Hollywood in terms of female representation?

In the video above, Feminist Frequency’s Anita Sarkeesian applies Allison Bechdel‘s Bechdel Test to the 2012 Best Picture nominees to assess the presence of female roles in these acclaimed motion pictures. To pass the test, a film must fulfill three requirements: It must 1) have at least two female characters 2) who talk to each other 3) about something other than a man.

While the test does not determine the quality of a film, the evaluation of gender bias in current movies does bring to light the systemic problem within the Hollywood film industry. Many of the films we see cater to the interests of men and fail to tell women’s stories as they really are – complex and interesting. After looking at the Bechdel Test Movie List, an online database of films measured by the test, I am astonished over how so many popular movies do not meet the simple requirements of the test. This makes the under- and mis-representation of women in the film industry a glaring reality.

The next time you watch a movie (or even your favourite television show), consider the Bechdel Test and see which ones pass and which ones flunk.

View the original Bechdel Test for Women in the Movies video here.
See more conversations on Pop Culture at Feminist Frequency.

Tom Hardy the Film Warrior

Ever since I had the pleasure of meeting actor Tom Hardy on the set of the romantic comedy, This Means War back in 2010, I have vowed to watch as many of his films as possible. I assure you, this is not the easiest commitment, since many of his UK-based projects are hard to find and many of his films in general contain heavy and graphic subject matter I am not used to seeing, but being the devoted fan I am to the entertainers I support, I do it anyway.

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Highlights from the 2012 Golden Globes

I enjoyed watching tonight’s award ceremony! I thought that 2012 was a good year for movies in particular (especially in the Comedy or Musical genre) so I was looking forward to seeing some of my favourite films get the recognition they so deserve.

Highlights of the evening: The Artist winning Best Motion Picture – Comedy or Musical, Best Actor in a Comedy or Musical (Jean DuJardin) and Best Score. The Adventures of Tintin being named Best Animated Film, Martin Scorsese winning Best Director for Hugo, Woody Allen winning Best Screenplay for Midnight in Paris, Michelle Williams winning Best Actress in a Comedy or Musical for My Week With Marilyn, Queen Meryl Streep winning Best Actress in a Drama for The Iron Lady, Octavia Spencer winning Best Supporting Actress in a Drama for The Help, the legendary Sidney Poitier presenting the Cecil B. DeMille Award to Morgan Freeman (a.k.a God), and a few cute friendship moments (Tiny Fey photobombing fellow funny lady Amy Poehler, Joseph Gordon-Levitt clapping for presenter and 50/50 co-star Seth Rogan).

Additions to my ‘Need To Watch’ List: Modern Family, Downton Abbey, Mildred Pierce, The Iron Lady, and The Descendants

Best Reaction: Sir Elton John reacting to Madonna’s win in the Best Original Song category.

‘Better Luck Next Time’ award: Leonardo DiCaprio (I felt so bad for Leo. Please, just give him SOMETHING!)

MVP: Uggie, that playful and lovable Jack Russell Terrier from The Artist! He can play dead and excite the audience at the same time!

Best Dressed: Emma Stone in Lanvin. Also liked Zooey Deschanel’s tuxedo nails and what I saw of Kate Winslet, Viola Davis, Dianna Agron, Nicole Kidman, and Evan Rachel Wood.

Movie Review: The Help

Based on the bestselling novel by Kathryn Stockett, The Help follows the lives of a group of Jackson, Mississippi women during the 1960s and reveals the often-concealed reality of racial discrimination in America.

The film adaptation stars Viola Davis and Octavia Spencer as Aibileen Clark and Milly Jackson, two black maids who divulge their experiences of working in white households to Skeeter Phelan (Emma Stone), an aspiring writer who plans to compile their stories into an engaging exposé. The three women come into constant conflict with their high society employers, led by the icy and ignorant Hilly Holbrook (Bryce Dallas Howard).

Through the help’s tales of turmoil, tragedy and injustice, shocking and shameful examples of racial bigotry are unfolded. The fact that strong prejudice perspectives against African-American citizens ran rampant only less than fifty years ago is difficult to grasp, but The Help reminds viewers that such close-minded opinions still exist in present-day society.

However, hope is offered through The Help’s memorable and compelling characters: in the resilience of Aibileen, in the courage of Milly, in the ambition of Skeeter and in the tolerance of blonde bombshell and society outcast, Celia Foote (Jessica Chastain).

With great humour and tremendous heart, The Help delivers an important message about realizing one’s potential and using one’s voice – a powerful tool that can make a positive difference in society.

You is kind. You is smart. You is important.

the kings speech

Film Review: “The King’s Speech” Reigns

I invite you all to check out a collaborative blog project called “For Your Consideration: 10 Films, 1 Best Picture…“, in which a team of avid cinemaphiles discuss the ten films vying for Best Picture at the 2011 Academy Awards. A case is drawn for each candidate over why it should be rewarded the prestigious title.

My vote goes to The King’s Speech, the British historical drama about the struggles of King George VI, starring Colin Firth, Geoffrey Rush, and Helena Bonham-Carter.

The King’s Speech has been dealt a royal flush of accolades throughout the 2011 awards season, leading this year’s Academy Awards nomination tally with recognition in twelve categories. Directed by Tom Hooper and written by David Seidler, this British historical drama tells the story of King George VI’s struggles with a speech impediment. The film focuses on his relationship with Australian speech therapist Lionel Logue, who assists him in overcoming his stutter and restoring his confidence, urging him to become the leader Great Britain needs on the brink of World War II.

What sets The King’s Speech apart from your typical period piece and makes it a standout candidate in this year’s pool of remarkable Best Picture nominees are its brilliant acting performances, its compelling story and the inspired way in which the film combines history with humanity in an engrossing and relatable manner.

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